Title: Prince of Persia: The Sands of Time (2010) IMDb
Director: Mike Newell
Lead Actors: Jake Gyllenhaal (Dastan), Gemma Arterton (Tamina), Ben Kingsley (Nizan), Alfred Molina (Sheik Amar)
Score Composer: Harry Gregson-Williams
Length: 116 min.
Rating (US): PG-13 for intense sequences of violence and action.
Spoiler-free Synopsis: “Set in the mystical lands of Persia, a rogue prince and a mysterious princess race against dark forces to safeguard an ancient dagger capable of releasing the Sands of Time — a gift from the gods that can reverse time and allow its possessor to rule the world.” (Written by Walt Disney Pictures, courtesy of IMDb)
Reason for Watching: Firstly, it’s based on the popular Prince of Persia video games, which feature some really neat Arabian-Nights-esque settings and a cool fantasy version of parkour. Secondly, I heard from friends it was actually pretty fun.
Movie Re-watchability: Fun and disposable, this is the kind of adventure I’d watch on a casual movie night with friends, or watch if it was on TV, but that I’m not likely to choose if I really want to set aside a specific time for a movie viewing. It was entertaining the first time, but it doesn’t have much novelty to offer on repeat viewings.
Director Re-watchability: Mike Newell also directed Harry Potter and the Goblet of Fire, which is my pick for the most boring and disposable Harry Potter film (well, Deathly Hallows Part I may have been more boring, but it at least had greater atmosphere). He’s not a bad director, as far as I can tell – he’s got an eye for pretty images, and in Prince of Persia he does keep the story moving at a brisk, entertaining pace. But he seems competent at best. I wouldn’t be interested in a movie just because his name was attached.
Recommendation: Do you like the video game series? Do you like fantasy adventures even when they are campy and ridiculous, so long as they maintain a sense of fun? Do you not mind if the story and characters exist only to support the pretty pictures and give you something to laugh and snicker about while you and your friends drink beer, eat snacks, chat on a non-work (or non-school) night? Does the reasoning of “Hey, the actors look like they’re having a good time, why shouldn’t I?” make sense to you? If any of these are true, then you will probably find something to enjoy in this movie. If you answered “no” strongly to any of these questions, then it might not be worth your time. I’m glad I saw it, but then, I answered strongly in the positive to all the above questions. +)
What else to say about this very straightforward movie? Nothing about the plot, surely. It’s just not important. If you try too hard to follow it, you’ll start falling through all the holes. The many, gaping holes. In fact, I recommend that you smile and wave at the plot holes as you skim over them. It’s the best way to get full enjoyment out of this movie.
Aside from including one or two scenes not in the movie, the official trailer will actually give you a remarkably accurate feel for Prince of Persia: The Sands of Time. It engages your attention, has some very pretty set pieces and artwork, a variety of stunts that, if not brilliant, are at least energetic, banter between the romantic couple that, if not quite witty, is at least amusing, and doesn’t take itself seriously but indulges in just enough drama that we can sort-of-almost-hey-it’s-Jerry-Bruckheimer-producing-what-do-you-expect buy the characters’ motivations if we don’t think on them too hard. (If you do start thinking, you realize that a few important deaths in this movie could have easily been solved by the magic dagger that rewinds time, but for some reason Dastan doesn’t think to use it for the people he cares for most.) If you’re the kind who can’t help but take a movie too seriously, then this movie will probably annoy the heck out of you.
While it is somewhat disappointing that the lead actors aren’t even remotely Middle-Easternish, much less Persian, but rather very white Caucasian (with the exception of Ben Kingsley, who is half Indian), this is more or less what we expect of a Hollywood blockbuster. Gyllenhaal is no Errol Flynn, but he’s competent in this roguish role, wading shakily through a script of bad quips and emotions desperately trying to be earnest and emerging with a smile at the end.
My main complaint regarding the role of Dastan (the titular Prince) has nothing to do with the actor, but rather the special effects. I find it’s always more fun when the actors themselves, or convincing stunt doubles, are doing the actual stunts in the action scenes, when there is real human physicality and skill on display. But in this movie, Gyllenhaal doesn’t get to move far before the CGI and lightning-quick cuts jump in. It’s not impressive when you can see a computer doing all the work. Nor when the editing jumps so much that you can’t be sure where things are happening in relation to each other, and the action scenes which should be glorious expressions of the athleticism of the human body instead became a jumble of zoomed-in images of movement that don’t thrill or really amount to much of anything. It’s not quite shaky cam – when there isn’t a fight or chase going on, the camera steadies itself properly – and technically it does the job okay, but it doesn’t inspire you with awe at what the human body can accomplish. And personally, I think that’s one of the great virtues of the action genre, the thing it should properly do besides just entertain.
The dialogue he shares with Princess Tamina is the kind of banter formed of one-liners designed to show that the characters are trying hard not to like each other despite their obvious attraction. It’s not very clever dialogue and often crops up at times when the characters really have more important things to do and emotions to feel, and it does substitute for character development, but at a very basic level it gets the job done. If we like these two characters, it’s because we find Gyllenhaal and Arterton to be likable themselves. Tamina is a bland character on paper, as are these all (excepting perhaps Sheik Amar, played by an enthusiastic Alfred Molina), and doesn’t have enough of a sense of humor, but Arterton herself seems to understand the role, and gives it just enough charm and gentleness to get by. I’m not sure she and Gyllenhaal have what is called “screen chemistry,” but at least they seem to be having fun together.
Most of the humor comes not from the dialogue, but from the more over-the-top stunts, Alfred Molina’s enthusiastically selfish Sheik and his love of ostrich-racing, the sheer awful corniness of the romantic arc, and the entire lack of subtlety anywhere in the movie. This all is fun. And as I said, there are some really beautiful fantasy cities and desert landscapes we get to visit. If anything, I wish there were fewer locations, just so that we could spend more time exploring the more spectacular ones, like the holy city of Alamut. I’d welcome a sequel just to revisit these landscapes in greater detail.
And there’s also another element that’s quite interesting: the theme of brotherhood, and the importance of its bonds. See, Dastan is not a prince by blood; rather, he was adopted by the Persian emperor when a young boy, and so became brother to the emperor’s two older sons. Tus, the eldest, is trying his hardest to be worthy of succeeding his father – he’s grave, serious, ambitious, but also desires to learn wisdom and justice. And he likes Dastan, despite the rogue’s general irreverence, lack of manners, and bedraggled appearance. The other brother, Garsiv (WHO THE HECK CAME UP WITH THESE HORRIBLE NAMES? THE WHOLE RICHNESS OF PERSIAN LINGUISTIC CULTURE AND THEY INVENT THIS LAMENESS???), is more arrogant and can’t stand Dastan. We immediately sense he is untrustworthy (his darker hair and eyes are also typical Hollywood symbols), and probably in league with the villain, but things don’t end up being quite that simple. Well, fine, things are still very simple, but the movie affirms the bonds of brotherhood in a way that is satisfying and less cynical than I sort of expected from Hollywood. The treatment of the theme certainly isn’t deep, but the mere presence of brotherly love in this story was actually kind of neat.
Prince of Persia: The Sands of Time lets you turn off your brain without having to worry too much about what’ll happen to you without your brain’s defense. I spent most of its running time smiling, and sometimes grinning, and I’m grateful for a movie that does that.