Is Shakespeare’s The Taming of the Shrew misogynistic? Should we continue to stage it?
Once again, I am at a disadvantage. I have not read the play in Shakespeare’s own words, and am mostly familiar with it in summary, by reputation, and by…the 1953 MGM film Kiss Me Kate, which I gather is a fairly loose adaptation. I have skimmed the Sparknotes document on The Taming of the Shrew, but admit that this is hardly a firm foundation from which to pass substantive judgment. So please forgive me if I seem over-cautious in my answer. If I say something which seems contradicted by the text, forgive me my error and kindly correct me in the comments! Read more
Is Romeo and Juliet a tragic love story or an ironic comedy? Should we take the play seriously when its protagonists are so young?
Having not the time to read the play again and do the sort of long, hard analysis I used to struggle over in college, I beg you to accept my quick thoughts on this matter, jotted down in the subjective and haphazard way that memory brings them to me.
I have always taken Romeo and Juliet as a tragic love story, sharpened and livened with both comedy and abundant irony. I do not view it primarily as an ironic comedy. That is, I do believe we are meant to take the story seriously.
The tragedy is certainly very serious, ending as it does in several unnecessary deaths and provoking enough sober reflection as to end a long and bitter feud between two callous and political families. And the love story is deadly serious to the lovers, whatever we may think of their immaturity and age. Indeed, their immaturity and age are what allows them to act so single-mindedly on their passions, for better and for worse. The better leads them to forsake the hateful feud between their families; the worse leads them to have too little thought for the consequences of their actions, leading to the deaths of some of their friends, and eventually of themselves.