Classic Remarks: A Much-Read Childhood Classic

Which children’s classic couldn’t you read enough of when you were growing up?

Several books could probably be mentioned here, especially given a loose definition of “classic,” but the ones that stand out to me are the Picture Classics graphic novels Tom Sawyer and Huck Finn, adaptations of Mark Twain’s famous novels.

As I flip through them now, I’m impressed by how detailed and faithful they are. Twain’s novels deserve to be read unabridged, but their size and age can sometimes be intimidating to younger readers. The Picture Classics adaptations zip from adventure to adventure and an avid young reader can easily finish both in a day—perhaps more than once each!

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Much of the flavor of Twain’s prose is also kept. Characters speak with Twain’s dialects, and the bits of narration in Tom Sawyer reflect Twain’s third-person prose, while Huck Finn preserves the boy’s distinct first-person narration.

In some graphic novels the art doesn’t always make clear what is going on, but in both of these the art is easily readable. It also complements the text well and does a good job of evoking stories’ settings.

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These adaptations were my first introductions to Mark Twain’s famous heroes, and I’m glad of that. While nothing quite compares to reading the full novels, Picture Classics did a fantastic job of capturing the essence of the stories. Even though the focus is on action and adventure, Twain’s deeper commentaries still linger in every frame. Characters drive the action on every page, rather than merely reacting. These books thrilled me as a young boy, letting me imagine I was a fellow-adventurer with Tom, Huck, and Jim on deserted islands, creepy caves, cool woods, and the long, storied Mississippi River.

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Classic Remarks: My Favorite Jane Austen Adaptation

Which Jane Austen adaptation is your favorite and why?

I am again at a disadvantage. My familiarity with Regency-era literature is so poor that my only Austen novel is Emma. I do have a general understanding of Pride and Prejudice, however, and it happens that the only Austen adaptation I have fully seen is one of that novel. And I must admit I like it a lot.

It’s a very…streamlined production. Lower-budget than most, and far from anything Hollywood would produce. Certainly it fails to capture the breadth and texture of Austen’s work. Nevertheless it wears a charming directness that manages to get to the heart of Pride and Prejudice. Using a clever modern-day framing device, it makes the tale of Elizabeth Bennet and Mr. Darcy immediately relevant to young people of our day. With a nicely balanced mixture of gentle humor and disarming sincerity, it manages to entertain while still driving home the story’s moral. Additionally, its severely abridged nature and short length directs the interested viewer to the source book.

Which adaptation is this?

I speak, of course, of the Wishbone adaptation.

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This was one of the best children’s shows produced by PBS in the 1990s. In it Wishbone, an adventure-loving Jack Russell Terrier, accompanies his boy, Joe, through adventures in middle school and literature. Whenever Joe faces a particular situation in his life, Wishbone will find a similar situation in a work of classic literature and relate the story to the audience. The audience gets to see Wishbone’s own imagination of the classic story interspersed with Joe’s modern-day story playing out in parallel. The result was a children’s show that was highly literate, thoughtful, and empathetic to older kids, and just happened to star a cute and energetic dog.

Wishbone DarcyThe episode entitled “Furst Impressions” is no exception! It’s truly the only Austen adaptation I’ve seen all the way through, so I can’t argue that it’s among the best. But this isn’t completely a joke answer. While the half-hour show only has about fifteen minutes to spare for the Austen sections, it boils the Elizabeth-Darcy relationship down to its essentials, and then takes those essentials quite seriously. Despite the ever-present humor of seeing Mr. Darcy being played by a Jack Russell Terrier, Austen’s story itself is never made fun of nor spoofed.

wishbone-dog-ep-1-furst-impressions-youtube-2012-05-15-22-14-23We see Elizabeth and Darcy both make snap judgments about each other and allow themselves to believe false rumors. In time, through humility and honesty, they sort out their prejudices and discover their mutual love, and end up happy and healthy. Parallel to this we get a story of Joe and his friends, Samantha and David, who are agonizing over a school dance. False rumors set Sam and David against each other, and it looks like the chance of a fun, drama-free dance is gone. Feelings are hurt, tempers flare, and Joe finds his two best friends are unable to be near each other without shouting and accusing the other of lying. Finally, honesty and humility bring about forgiveness and understanding, and their friendships are restored. And just as in Austen’s book, the source of the rumors can be traced to an envious socialite who ends up lonely.

Far from the most nuanced or complete adaptation of Pride and Prejudice, the Wishbone episode “Furst Impressions” nonetheless entertains with a direct, honest paraphrasing of the book’s most essential relationship. By showing Austen’s story side-by-side with a situation any modern kid can relate to (and adults too), it gives its audience a wise message of forgiveness and honesty, while quite possibly arousing interest in the source novel.

And it also stars a cute, energetic Jack Russell Terrier!

What’s your favorite Jane Austen adaptation? And did you ever watch Wishbone or read the Wishbone book series?

Next up on Classic Remarks: What children’s classic couldn’t you get enough of as a child?

Book Review: “The Legend of Tarik” by Walter Dean Myers

182269The Legend of Tarik
by Walter Dean Myers
Series: No.
Pages: 180
Published: 1981
Spoiler-free Synopsis: A young African captured into slavery in medieval Spain seeks vengeance for the murders of his father and brother, becoming a legendary hero in the process.
Reason for Begining: I’d never read a story following a heroic African in medieval Spain before, and it sounded quite interesting, especially since I know a thing or two about medieval Spain.
Reason for Finishing: A quick, reasonably entertaining read.
Story Re-readability: It’s easy enough to reread considering its length and quick pace, but it doesn’t hold enough interest for me personally.
Author Re-readability: I’d certainly be willing to read Myers again, although his story felt a bit rushed and didn’t have quite as much texture or unique interest as I would have liked.
Recommendation: It’s worth a read for dedicated bibliophiles, and may be quite appreciated by younger readers who are less picky than me about having fully fleshed-out stories with unique elements. Also recommended if you are starved for fantasy quests featuring non-European heroes.

Key Thoughts Continue reading “Book Review: “The Legend of Tarik” by Walter Dean Myers”

Classic Remarks: What to read after “The Hobbit” and “The Lord of the Rings”

What Tolkien book would you recommend to a reader after they’ve read The Hobbit and The Lord of the Rings?

3306190There are a few possibilities for this one, depending on your tastes. But my first answer would be The Silmarillion. This is the book with all the tales of how Middle-Earth came to be. It has the history of the Elves, Men, Dwarves, and a bit of hobbit history too, although for such unadventurous folk their origins are rather mysterious. It is a magnificent tapestry of hundreds of stories that all form a cohesive, meaningful whole. Anyone who reads the tales of Bilbo and Frodo and wants to know more about Middle-Earth should turn first to The Silmarillion.

597790But perhaps you’re intimidated by the size and density of The Silmarillion? You’ve heard it described as “the Old Testament with Elves” and worry that it will be too dry or complicated to jump right into. Even in The Lord of the Rings, Tolkien’s language has a dense, old flavor to it that can be hard to swallow for readers unfamiliar with that style, and the promise of more stories told in a still denser, older style can intimidate even those who want to experience the stories themselves. In that case, I would recommend The Children of Húrin. This book tells one of The Silmarillion’s stories in an expanded form closer to a short novel. The language is still high and beautiful, but it’s a quicker, more self-sufficient read, and will give you a good taste of what to expect in The Silmarillion. I do warn you, it’s a dark, tragic tale, but as epic and moving as they come. If you like it, you can rest assured that you will find more of that quality in The Silmarillion, but also many stories that are happier and more hopeful.

Happy reading!

Next up: Is the Phantom of the Opera abusive or romantic? (You can discuss the musical or the book version, or the differences between the two.)

Classic Remarks: Recommend a Diverse Classic

“I hardly saw any other children; only one was my friend, and my blackness did not keep him from loving me.”

Recommend a diverse classic. Or you can argue that a diverse book should be a classic or should be included in the canon. Or you can argue that the book should be a classic, but that you don’t want to see it in the canon.

A diverse classic? That’s an extremely vague phrase which could technically be interpreted in countless ways, but I get the gist. In the English-speaking world, the standard literary classics almost entirely come from Europe and the countries which developed from European colonies. It can also be argued that the most famous, mainstream works tend to deal with similar subjects, perhaps from similar or familiar perspectives. This is a chance to discuss a book that either comes from a different cultural milieu or deals with subjects or perspectives that are rare or unique in the Western literary canon. Continue reading “Classic Remarks: Recommend a Diverse Classic”

Classic Remarks: Is Susan’s fate in C.S. Lewis “The Last Battle” sexist?

Lewis’ message is that we should all look at Susan, see ourselves, and shuddering turn from folly to wisdom.

Susan Pevensie’s fate in C.S. Lewis’ The Last Battle has been criticized for being sexist. Do you think it’s sexist or is Lewis trying to do or say something else?

[Obviously, there will be SPOILERS for the final book of the Chronicles of Narnia, and by extension for some of the previous volumes.]

lewis-last-battleThe scene in question comes at the end of Chapter Twelve of Lewis’ Last Battle. Our heroes—Tirian the last King of Narnia, the Earth-children Jill and Eustace, and a few loyal friends—come unexpectedly face-to-face with the most legendary visitors to Narnia: Diggory and Polly, who witnessed Narnia’s creation in The Magician’s Nephew, and the original Pevensie children from The Lion, the Witch, and the Wardrobe—minus the oldest sister, Susan. Aslan had told them all at the end of previous adventures that they would never again come into Narnia, for they had grown too old. The reason for their apparent return is revealed in later chapters, but at the moment they are merely glad to be back. But Tirian immediately has a question for High King Peter:

“If I have read the chronicle aright, there should be another. Has not your Majesty two sisters? Where is Queen Susan?”

“My sister Susan,” answered Peter shortly and gravely, “is no longer a friend of Narnia.”

“Yes,” said Eustace, “and whenever you’ve tried to get her to come and talk about Narnia or do anything about Narnia, she says ‘What wonderful memories you have! Fancy your still thinking about all those funny games we used to play when we were children.’”

“Oh Susan!” said Jill. “She’s interested in nothing nowadays except nylons and lipstick and invitations. She always was a jolly sight too keen on being grown-up.”

“Grown-up, indeed,” said the Lady Polly, “I wish she would grow up. She wasted all her school time wanting to be the age she is now, and she’ll waste all the rest of her life trying to stay that way. Her whole idea is to race on to the silliest time of one’s life as quick as she can and then stop there as long as she can.”

Continue reading “Classic Remarks: Is Susan’s fate in C.S. Lewis “The Last Battle” sexist?”

Book Review: Mistborn, by Brandon Sanderson

High entertainment for lovers of fantasy. Especially if you’re the kind who likes to play as a rogue or mage-thief in RPGs.

Mistborn
a.k.a. Mistborn: The Final Empire
Series: Functions as a standalone, but is followed by The Well of Ascension and The Hero of Ages. This Mistborn Original Trilogy is itself followed by another series in the same universe, called the Wax and Wayne Series.
Author: Brandon Sanderson
Pages: 643
Published: 2006, Tor Books
Spoiler-free Synopsis: Teenaged thief Vin falls in with a crew of rogues, and learns that she, like their dashing leader Kelsier, is a Mistborn, a person born with a rare ability to magically manipulate metals (Say that 5x fast!). Using a variety of magical and criminal skills, the crew plans a rebellion against the Lord Ruler, a tyrant of immense and mysterious power who has ruled for a thousand years and just might be immortal.
Reason for Beginning: Accolades online gave the impression that it was a fresh, creative twist on high fantasy. Plus, I liked the title and cover art.
Reason for Finishing: Excellent, page-turning writing. Plot and characters both kept me invested, while the pacing kept me up late reading many nights.
Story Re-readability: Moderate. I’m more immediately interested in pursuing the next book in the series, and perhaps other titles by Sanderson. It has enough depth to reward at least a second reread, and the Thrilling Adventure and Intrique quotients should be high enough to counteract any restlessness from knowing the story’s conclusion in advance.
Prose Style: Sanderson’s style is approachable and direct, keeping the story focused and the characters lively. He successfully engages with some fairly serious themes without getting ponderous or preachy. In prose, there is a definite preference for directness, sometimes at the expense of beauty of phrase, but that seems the right side to err on for this story.

Recommendation: High entertainment for lovers of fantasy. Especially if you’re the kind who likes to play as a rogue or mage-thief in RPGs.

Key Thoughts Continue reading “Book Review: Mistborn, by Brandon Sanderson”